Weeknote, Sunday, 05 Feb 2023

Sometimes weeks are quite fractured and this was one of those. Bitty. Lots of little things happening which get in the way of doing an actual project. The kind of week where work of all kinds of a bit three steps forward and two steps back.

I have been spending too much time tinkering with technology and not enough doing the things which actually matter: reading, writing, culture and people.

Some of what I need to do is get my little office space more sorted. It’s about 50% there, but I need to do some rearranging of furniture to make it Just so. The new chair is good. It’s really nice to be in a chair with some lumbar support. I didn’t know that I needed it until the moment I had it, then I realised I really did need it a lot.

I’ve also switched over to using the Keychron K2 keyboard, which I think suits my writing style a lot more than the Das Keyboard. The Das Keyboard is built like a tank and gives a really satisfying keyboard action and THUNK but I think I prefer the feel of the K2 overall. It’s a little softer and nicer to type on for someone – like me – used to using a laptop keyboard. The one thing that I’m not 100% sure about yet is what angle to have it at. The highest angle is too sharp. The middle one feels OK and I suspect is better for my posture. The one that I really like the one which is flattest, so I am going to stick with that for a while and see how it goes. I can certainly touch type on the K2 really quickly, which is nice.

But on the flip side of that, I doubt I would be able to bludgeon a zombie to death with the Keychron, and I am certain I could do that with the Das Keyboard.

What I've been writing

  • Santa’s little helper,a piece of flash fiction about someone who may or may not be something of a trickster god.
  • About 2000 words of the Alice and God story, which I have decided really needs a bit of work on its outline and structure. I mean some serious surgery – the plot as is just isn’t hanging together and it’s lacking pace. Some work required.
  • A couple of other very short pieces, one called Death to Humans! and a second one which is a bit of a cliched story about paintings, which I should just polish up and get out there.

What I've been reading and watching

This week hasn’t been much of a reading week, which is my own fault. I often find that after finishing a book I’m at a bit of loss to what to read next, so I have to dive in and make myself read something – anything – until it sticks. I’m about a quarter of the way through Gareth Powell’s About Writing, which is an enjoyable little book about, erm, writing. Did I mention it’s short? I like short books.


Weeknote, Sunday, 29 Jan 2023

This week has mostly been a cavalcade of getting things sorted in my little office. I finally decided that it was time to get a new chair. The one I have been working in for the past couple of years was really only intended to be the kind of thing you sit in for an hour at a time, reading and writing the odd letter. It looks lovely but when your life is basically one long Teams call it’s not that comfortable.

So I now have a decent but somewhat ugly chair which lets me sit more comfortably, and which I can lean back in (maybe for a small snooze?). On Tuesday a new filing cabinet will arrive which will let me get rid of the ridiculous amount of paper that I’ve got lurking around. And next weekend I am going to spend some time clearing out, vacuuming and generally turning my office space from a bit of a tip to something that’s much more enjoyable to sit in a work.

I have even got myself a new wastepaper bin. Never let it be said that I don’t live a rock and roll life.

I’m still futzing around trying to decide what the optimum keyboard is though. There are two options: the Das Keyboard (built like a tank, sounds like something from the 1970s, wired) and the Keychron K2 (smaller, neater, Bluetooth or wired, probably couldn’t be used to bludgeon a burger to death as you could with the Das Keyboard). Both of them use the same kind of switches, although the feel is a bit different thanks to the difference in housing and size. The K2 has some clear advantages: I prefer the feel of it a little, it can be set up at several different angles and it’s a little less like listening to an exchange of machine gun fire. Both are really good keyboards. The K2 is also backlit which can be useful in some circumstances.

Part of rearranging my desk space has involved moving the Mac mini from its normal place beside the display to underneath a screen riser. The riser is just big enough to also house an Apple external DVD drive (I am gradually ripping a load of music which is still on CDs) and the CalDigit Thunderbolt dock, which was one of the best purchases I made.

The Mac mini is one of the loveliest Macs I have owned. It’s the base level M1 version, with just 8Gb of memory and a paltry 256Gb of storage, but it’s perfect for the kinds of things I do with it. Most of my files are synced to the cloud anyway, so my actual storage needs are a lot lower than they would be with some other machines. It’s absolutely silent and the M1 is surprisingly powerful not just at the day-to-day tasks of work but also occasional video and audio editing. Sure, if you are spending your entire life editing videos you probably want more memory, but for me? Nope. 8Gb turns out to be just right.

Did I mention it’s silent? I love that.

What I've been writing

This week I have mostly been working on the Alice and God story which I started on a while ago. It’s been going well: I have worked on it every day and although I haven’t been writing a lot I’ve been writing regularly and that’s the most important thing.

What I've been reading and watching

This week I finished The Organised Writer by Antony Johnston. It’s a short book which canters through getting yourself organised to write, covering everything from time management for writers to sorting out your invoices to setting up your home office environment. I think a lot of the advice is good for anyone who works creatively and it’s already bumped up my productivity quite a bit. Highly recommended.


Weeknote, Sunday 15 January 2023

This was quite a busy week for work, with many meetings and even a day in London at the new offices (the first time I have visited, and very nice). It was a little bit less of a week for other stuff, apart from reading and watching interesting things.

I think I have a trapped nerve in my back though, which isn’t going away and which is proving to be a bit of an issue as it limits the amount that I can easily walk and stand. The good news is it doesn’t affect cycling – different muscles, different posture – but at some point I have to talk to the doctor about it and probably get to an osteopath. I can tell its a trapped nerve and not muscle strain as, a while after it has kicked in, I get a numb feeling down the front of the thigh on the same side, which is where that set of nerves heads to. The pleasures of getting old.

What I’ve been writing

To be honest I have done more farting around with technology than I have done writing. Something I have to fix in the coming few weeks. I have ideas, but ideas are ten a sodding penny.

What I’ve been watching and reading

This week I dived headlong into watching The Rig on Amazon Prime and it is fair to describe it as poor. Some of the acting was good – Iain Glen and Owen Teale are proper pros – but the plot had so many holes in it it looked like a pure wool jumper in a house full of clothes moths. The CGI was second-rate, despite apparently being quite expensive, probably because every external shot from the rig and of the rig was CGI. It ends on a cliffhanger that’s obviously a desperate attempt to drum up enough interest to make a second series viable, but without ever really making the characters believable enough to care about them. When a writer throws in the Hail Mary pass of making a character pregnant about two-thirds of the way through the series, you know it has reached the point where no one cares about these characters, and they are just throwing the kitchen sink at the page.

My bad reading habit of putting aside one book and starting another (often something I have read before) reappeared this week, when I temporarily dropped Becky Chambers’ A Closed and Common Orbit in favour of picking up M John Harrison’s short story collection Settling the World. The good bit about short story collections is that I race through them quickly. The bad bit is they are like getting all my calories from sugar. Although, to be fair to me, Harrison’s shorts aren’t always easy meat: a story about how embedding an axe into your face becomes fashionable is… well, weird.

The biggest “watch” of the week is Empire of Light, Sam Mendes’ new film, which would be a shoo-in for the Best Picture Oscar in another year. However, because St Steven of Spielberg has released a film which is not only semi-biographical but a love letter to making movies, he will win, and everything else will get consolation prizes.

In this case, those consolation prizes should include a bunch of technical Oscars – the lighting is amazing – as well as Olivia Coleman getting a second one, Micheal Ward getting at least a nomination for best actor, and you can take your pick of Toby Jones and Colin Firth for best supporting actor. Everyone in the supporting cast is excellent. A little shout out to Tom Brooke, who you might recognise from his role in Preacher and who turns in a lovely little performance full of kindness and light.

This is definitely cinema season, with both Tár and Enys Men coming up soon, plus More than Ever. Lots to see.


Weeknote, Sunday 8th January 2023

This was the first week back at work since the middle of December, so it was a bit of a shock to the system. Good to see everyone I work with, though.

The good news was that my MacBook Pro was brought back from the dead by our local independent Apple dealer. It had been dead for several months after a failed update to Ventura (thanks largely to our poxy broadband), which led to a strange “cryptographic error” happening every time it tried to update anything. I assume this was down to the disk encryption going wonky, but I decided to nuke the whole thing from orbit (it’s the only way to be sure) and reinstall Monterey, then make a fresh attempt to update.

Of course, that update failed too. So I tried wiping the whole disk and promptly lost the ability to see it, even via Target Disk Mode. Once I had tried using Apple Configurator to fix it — the last option available — and that had failed, it was time to bring in the experts. And a day later, I had a working, upgraded, very blank MacBook Pro.

It’s been good to get back to using a Mac laptop after quite a while when I didn’t really have one (my old MacBook Air is also in need of a wipe and install), using Mac-native tools like Ulysses rather than cross-platform ones. And the Pro has a 16in screen, which feels much less cramped than the 14in one on my ThinkPad. Even though it’s the last generation of Intel Macs, it’s still an excellent machine with a few years of life left in it.

Writing

This has been a bit of a frustrating writing week. I reached an impasse with the Alice and God story, which I started before Christmas because I had done a rough outline of the plot but reached the point where I needed to flesh it out a bit more - and I was trying to write my way through it instead. That doesn't really work for me: I either need to know nothing about what's going on (in which case I discover it through writing) or have a reasonably solid idea of what a scene is supposed to do in the plot (in which case I can give it some direction). So back to the plotting board!

And because I love tinkering around with tools, I will start using Ulysses again rather than Scrivener. Don’t get me wrong — Scrivener is an excellent application for putting together anything long-form — but I think it’s a bit fussy, and I like the idea of having all my writing in one place. At the moment, it’s split between Ulysses and Obsidian (blog posts and short-form) and Scrivener (long-form), and it’s not quite gelling for me.

Reading and watching

Also, a quiet week for reading: I restocked the unread books stack with a few items.


Currently reading: Less is More: How Degrowth Will Save the World by Jason Hickel 📚


I’m late to the party with “Our Flag Means Death” but it’s really good.


Yearnote, 2022

When the first day of a year falls on a Sunday, I suspect it's a good idea to look back on the previous year. A yearnote, if you will.

I could look back at the year's posts and pick out highlights, but as it's about a year, I think it's better to look at the key themes that defined 2022. Obviously, these are things I can talk about -- so there's nothing about work here -- and I've chosen to look at the positives rather than the negatives, which I will save for my journal.

With that context, the year has three themes: rediscovering writing, focusing more on my health, and reading. A lot of reading.

Rediscovering writing

I've been a journalist for (as of two days from now) 28 years. That seems fantastical to me as I still think of myself as the new kid on the block. This year forced me to accept that wasn't true, and I realised that what I do now in journalism is managing, mentoring and advising. I don't really write much.

And one thing that's been consistent throughout my career and life is that I love writing. I got a typewriter as a teenager because I liked writing stories which turned into Dungeons and Dragons campaigns, and my handwriting was… not great (it still isn't). I learned to touch type at 16 at further education college because you had to do a Wednesday afternoon activity, and sport bored me. After that, I was a student and wrote, and then I was a journalist and wrote. So writing has always been there.

I needed an outlet for my writing. And importantly, I didn't want to just do more blogging about technology. One thing I hadn't done was a lot of creative writing because I've always believed I don't have the imagination to make stories up. So I decided I wanted to give it a go.

First, I took a small weekly course based in a pub with a lovely writing tutor and a friendly group of people. I can't think of a better introduction to creative writing than doing it in a summer pub's garden, and we have continued meeting since.

That led to doing a five-day fiction introduction down at Arvon in Totleigh Barton. Tutored by the wonderful pairing of Charlene Teo and Michael Donkor, it was enormous fun and super-helpful in terms of my writing. But, most importantly, I think I found my voice: I had been writing how I felt I should note, and now I write how I want to write. And again, our group has stayed in touch. I don't think I had realised quite how social writing can be.

One of the lovely moments was talking through a story idea I had been working on with Michael, which I had always envisaged as a short story. I had struggled a lot with it because I had to write short -- and Michael said, "this isn't a short story. It sounds like a novel to me". I had always veered away from writing a novel, and it started me thinking about why. I realised two things: first, that I lacked the confidence to complete it, and second, that I have so many friends who have written novels that I think I've been intimidated by the idea. Michael helped me get over that, and if I ever finish a book, it will be down to the help and encouragement they gave me.

Focusing on my health

The big revelation about my health this year was that post-COVID, I need to take regular care of myself. Getting COVID the first time coincided with increased blood pressure and, because of less activity, putting on weight. Going from 10,000 plus steps per day when I was in the office to less than 5,000 working from home was always going to have an impact.

But this year, I started making some positive steps. For the first time in my life, I've been a regular attendee at our local GP for everything from booster vaccinations to blood tests to check that I'm not developing anything more serious. I've started taking medication to reduce my blood pressure (now at a decent level), and I've been looking after my vision with more regular check-ups at the opticians.

In 2023 this will continue as I develop more healthy eating and exercise habits, where simple changes will make a lot more difference.

Doing more reading

I was pretty surprised to find that I read 27 books in 2022. That's the most I had read since the internet happened when all my reading shifted to computers. And it's also been a wide range of books, not just trash science fiction (there's been some good science fiction).

I'm really pleased with this. Reading and writing go hand in hand. The biggest thing you can do to improve your writing is to read more. So it's probably not surprising that rediscovering my love of writing has also prompted much reading.

What's also helped is using a new Kindle, the Scribe. I have always wanted a bigger Kindle. While the Paperwhite I have is excellent, it's always felt just a little too small. And being able to write on the Scribe with little notes is also a fun way to add commentary, even if the comments don't show up in my Readwise notes. It's always interesting to me how a shift in a device can also shift your interest in a process.


Going down the Twitter memory hole

M.G Siegler on Mastodon:

Yes, yes, the network is under immense strain as people flee the Elon strain infecting Twitter. But come on, there are folks who really believe this is going to replace, or even stand alongside Twitter, as a massively scaled social network? I call bullshit. While it’s impressive that millions of users have apparently given Mastodon a try, the product is far too slapdash and clunky to keep folks engaged

I'm surprised M.G. can't remember back to the early years of Twitter, because I know he was there and suffered just as many fail whales, lost posts, and crappy errors as I did.

Also worth remembering: as Ben Thompson has pointed out, by the objective standards of modern internet corporations, Twitter failed. It's too small to be an interesting scale play and offers no advantages to advertisers over Facebook. Advertisers used it because they don't like to put all their eggs in a single basket. Journalists used it because all the journalists in the world are on it, and we're gossipy little monkeys who like to show off to all our friends.

That said, this oversized profile with media professionals meant that Twitter had an oversized influence on the media (and so political) landscape.

But, but, it’s not a product, it’s a protocol. Yeah, that’s a nice thing to say. And to believe in. But I truly believe the ship has sadly sailed for such idealism in this space.

I disagree. I don't think that M.G. or any of the very comfortable Silicon Valley folk who have made the uber-capitalist VC world their home really understand quite how much the ground is shifting. Their world is drawing to a close. Something new is happening, and not being beholden to massive corporations is part of it. It will be interesting to see where it goes.


Weeknote, Sunday 25th December 2022

I feel like in the past week I’ve travelled the country — and that’s mainly because I almost have. Last Saturday I travelled back from Devon to Kent, then on Thursday we drove up from Kent to Cumbria, where I am at the moment. We’re staying in lovely Ambleside, at a friend’s place (on our own).

Of course I love it and have a bunch of memories of the Lake District. It was a place where we went on family holidays a lot when I was a kid: here, along with Devon, Cornwall and the Cotswolds. My parents discovered country cottage rentals when I was young and after that pretty-much every holiday involved a drive to somewhere in the middle of nowhere, a small rented house and a lot of fun.

These parts of the world are very evocative for me, and I’ve always loved the countryside since. We arrived after dark and in the rain (of course), and so didn’t see the view at the back till the next morning. It was quite a view to wake up to:

A view from the back window where we’re staying. There are hills, large enough to look like mountains.

I would, of course, quite happily live somewhere like this. The irony that we have better internet here than where we normally live (2Mb “broad”band FTW) is not lost on me.

Christmas presents were, of course, opened this morning: Art supplies for Kim, and a lovely replacement Lamy Studio pen plus one-off notebook for me. We had agreed a price limit: Kim cheated. Fortunately so did I.

Now it’s Radio 3 till the King’s Christmas Message, then there will be dinner making the and some TV watching, then probably reading books. Kim is even darning. We appear to have become domestic, rather than feral.

Writing

I’ve been working a little on the Alice and God project this week. This is a maybe-novel length story about a woman who meets God (as you do) and goes on an adventure. It doesn’t quite feel YA territory, but it’s fun and light. One of the things I’ve been working on is using humour to counterpoint seriousness and threat, and there’s a lot of that here. It has to be a serious story, with danger for the characters (and maybe, just maybe, one of them doesn’t make it), but the humour which is intrinsic to my writing style is there.

One of the resolutions for next year is to establish more of a rhythm to my writing. I like the idea of two blog posts a week, one piece of micro-fiction, and some work on bigger projects, but that feels like a lot when I’m also holding down a full time job. We’ll see.

Reading and watching

I finished Becky Chambers’ The Long Way to a Small Angry Planet. I really like her writing, but there are definitely parts of the book where you can see that it was published in chunks, with some of the chapters almost being short stories in their own right. There’s nothing wrong with that at all, but it means that the overall plot is a bit in the background (and there’s not much to it). But i still enjoyed it a lot and now I’m on to A Closed and Common Orbit, the second in the Wayfarer series.

Because we’re away we (OK, I) have got out of the habit of just putting “the telly” on, which means I haven’t watched that much of anything. Being more intentional about what I watch is definitely a theme for the new year!


Weeknote, Sunday 11th December 2022

This week has been almost my last time at work this year. I’m off to the middle of nowhere for a five day writing retreat tomorrow, returning on Saturday, then back at work for two days before I break for the year. Amazingly I have managed to get through the year and use up all my leave, which is a pretty rare event (I get nagged about this by my managers every time).

Despite being a journalist for 28 years (gulp) I have never really done much creative writing until this year. One of my goals for 2022 was to go on a creative writing residential trip and I’m quite surprised at myself for having actually arranged it. Like most people my years tend to start with a bunch of promises and commitments which I only realise I haven’t done in December. This year appears to be different, but now that leaves me with the dreadful job of following on in 2023 with something else.

The last couple of days have been marred by me getting a particularly nasty cold, which kept me off work on Thursday and consigned me instead to either bed or the sofa underneath a blanket, gently whimpering. There’s definitely been a theme this year of getting minor colds whenever I spent any time out – and the start of this week involved a day-long workshop with work, plus of course Stereolab was last weekend. This the post-lockdown phase of an overall lack of immunity, quickly bred in by not being constantly around people. Or it could just be that there’s a lot of bugs going round. Maybe the experts know.

Things I’ve been writing

Quite often the answer to “what shall I write” is “start writing something about the last thing you read/watched/ate/saw”. That, though, can be a bit tricky — particularly if “the last thing you saw” is the movie version of On The Buses, one of the most low-rent but incredibly popular sitcoms of the 1970s. It was on ITV3. Don’t judge me.

But there is always an interesting tangent, if you spend a little time looking. In this case it was the story of Bob Grant, one of the main actors in the series. Despite having a really good track record in serious theatre – he was directed by Joan Littlewood in a few things, and Joan didn’t suffer bad acting gladly – Grant become horribly stuck in typecasting hell, and apart from a few one-offs and panto barely worked again.

He ended up making three suicide attempts over the years as the debts and hopelessness mounted with the third one being successful. It’s an incredibly sad story.

Just after reading this I watched a 1987 Arena “day in the life” piece about Jeffrey Bernard, the legendary boozer and occasional journalist who bestrode Soho in what might have been its more creative period. Bernard too had something of a sad end. Thanks to the drinking, he descended through diabetes to having a leg removed, which made him virtually housebound in a small shabby Soho flat. Unable to do his habitual routes from Coach and Horses to bookies to Colony Club, he withered away.

So I started writing something which I wanted to get into Bernard’s voice and after a few paragraphs it morphed into the story of an actor, like Grant, who struggled to get parts after national success. Three thousand words later, I have the kernel of a decent story, called “Bill and Trudy”, about an encounter between our Bob/Jeffrey amalgam (called Bill) and a homeless girl called Trudy during the height of the first wave of poverty caused by Thatcher in the late 1980s. I want it to be fun and upbeat and not too serious, but the end (which I’ve written already) is potentially a bit downbeat. It will be fun to see where it goes.

Things I’ve been reading and watching

Having cantered through Harry Turtledove’s Three miles down I’ve continued in the SF vein by diving into Ken MacLeod’s Beyond the Hallowed Sky. It’s an interesting romp through robots and faster than light travel which makes it sound horribly cliched, but it’s actually fun so far. It is, weirdly, the first book of MacLeod’s that I’ve read, which feels very remiss of me.


Weeknote, Sunday 4th December 2022

Thursday saw the arrival of my Kindle Scribe, which I pre-ordered on the day it was announced. I've long wanted a bigger Kindle because the smaller ones just aren't that great for reading on, and although my iPad is huge, it's also got a lot of distractions on it, which make it less suitable for reading. The ability to write on it is a bonus, but I'm surprised how effective adding comments using the pen is. It's like adding little Post-Its, which is exactly how I work with paper books.

Big trip to that there London yesterday, when we caught up with a lovely friend over from New York in the Royal Festival Hall bar, then headed to see Stereolab with another lovely friend. There was dancing -- well more shuffling around from me -- and this morning, an inevitable plethora of aches. Kids, if you're under 40, look after your body. Do yoga or something. Don't eat so many pies.

All that means today involved a greasy spoon breakfast -- well, 1pm breakfast -- plus many cups of reviving tea and a sofa.

One other thing today has been winding down my Twitter account. I finally downloaded the 1.4Gb archive of all my content from it, and used the Twitter Archive Parser on it. This does four things:

  1. It converts tweets to Markdown with embedded images
  2. It replaces the t.co links with the originals
  3. It copies all the images into a single folder, useful for importing them elsewhere
  4. If an image is a low-resolution version, it download the original
    Once that was done I used ByeByeTweets to do three more things:
  5. Unfollow everyone I was following
  6. Remove all the likes I had put on other people's content
  7. Delete all my tweets
    ByeByeTweets costs a few dollars if you want to delete all tweets (it will do a limited amount for free) but I highly recommend it. I ran into a bug uploading my archive, which you need to do if you're deleting all of them, and emailed them. They responded within a couple of hours and had fixed the error.

So that's pretty much it with Twitter and me! You can find me on Mastodon.

Writing

I've written a lot of notes on how to improve a story I've been struggling with, along with an outline of how to move it forward.

Reading and watching

I'm reading Harry Turtledove's Three Miles Down which is, so far, an enjoyably frothy alternate history novel. It's really interesting that I'm starting to look at books like this with a more technical writers eye, spotting elements of foreshadowing and the odd McGuffin.


Musk could make his own phone. But no, he won't.

Daring Fireball: Should Be Easy, Indeed:

The hard part is that what he’s really talking about is making his own phone with his own app store. (Android phones that don’t play by Google’s rules also don’t get access to Google Play Services, which is effectively a closed-source segment of the Android operating system. Outside of China, I’m aware of zero successful Android phones that don’t use the Google Play app store by default.)

This isn’t quite correct. You can create a fork of Android which can access apps from the Play Store, without the Play Store. There are open-source versions of the Play Store APIs, and you can use Aurora Store to access apps with or without a Google account. This is one of the ways Graphene OS uses optionally to run those apps.

But it is hit-and-miss. Like every kind of development which attempts to reverse engineer something, it will occasionally break and apps can go awry. It’s good, but not perfect – and I suspect that were a major figure like Musk to go down this route, Google would have legal teams on it in seconds.


Weeknote, 27th November 2022

My notebook, like my week, is blank. This is not a good sign: when there's nothing scrawled there other than work notes, it indicates my life is moving slightly out of kilter.

That truth is piled all around me in books unread, mugs unwashed, and food left uncooked. It's there in the MacBook Pro near me, still lurking on the to-do list as "fix MacBook Pro" a good month after it first gave me a random "cryptographic error". Thank you, Apple, for making things stupidly easy when they go well and stupidly complex when they go wrong.

I keep reminding myself that my inability to fix it isn't due to age finally stopping me from taking in new information and understanding fresh technology. It's simply that Apple, and most other companies, have put people being able to fix their own technology at the bottom of a long list of priorities. I suspect it's just underneath "Make sure Tim's latte is on his desk at 7 am precisely". And why would anyone want to fix their own Macs? Just visit a Genius Bar, where a friendly blue-shirted barely-trained youth will try and use you to fill his quota of upsell opportunities.

As you may have noticed. I'm slightly out of love with Apple. Less so with the company's products. I still love my iPad Pro (and wish I could make it my only machine), and I have yet to find an Android phone which didn't make me want to run back to an iPhone.

But I wish Apple the company would stop acting like greedy assholes and start reading the room. No, Tim, you cannot sustain a 30% cut of app revenue for the rest of the time. No, Tim, you cannot keep building your devices in a way which makes them hard to repair and then pay sneering lip service to making parts available for them. Those days are over, and if you want to preserve the things which are good for customers about the App Store and your products, you need to accept that sooner rather than clinging on till a regulator changes things for you. Call Bill Gates and ask him how long a company takes to recover after regulators take things out of your hands.

Ah, capitalism.

Things I've been reading and watching

The final episode of Andor wasn't quite the finale I had been hoping for, but it was good. The whole series was excellent, and although it's a cliché to call it "Star Wars for grown-ups", it is still the best description. It's a thriller and a spy story rather than a space opera and an excellent example of what happens when you apply a different genre's set of rules to a world built for another kind of writing.

Things I've been writing

I started a new blog just for creative writing. The first was a piece about a child's Christmas -- OK, my Christmas -- and the second was about a couple of early memories and my family. The third piece was just something super-short about a sound you don't hear much anymore: the ticking of a clock.

I like writing fragments like this (I have a tag in Obsidian, where I do most of my short writing, called "fragments", just for this). Of course, it comes relatively easy to me, unlike plotting which makes me feel like I am pushing a wheelbarrow full of concrete up a hill while the wind and rain come straight down on my face.


Weeknote, 13th November 2022

This week has mostly revolved around the trapped nerve in my shoulder, which came on last Sunday evening. It took me almost completely out of action on Monday and Tuesday, as I just couldn’t sit at a computer and work – sitting up for too long was just painful.

I think that a lot of it is to do with posture, not so much when I’m sitting and typing but when I’m in the endless parade of online meetings on Teams which forms quite a chunk of my work. When I’m in meetings I tend to slump a bit to my left, usually with my hand supporting my chin, which probably isn’t the best position to be sat for a long while.

That’s exacerbated by my chair, which is lovely to look at but not ideal for spending a great deal of time sitting in and typing. The height of it isn’t adjustable, and it’s a little low with a back support which is OK at the bottom but not quite at the right sort of angle for my daily use. To compensate, I’ve raised the height of my monitor so that it’s higher, which forces me to sit more upright when I’m using it.

Of course, this was also the week when the long-awaited Muskapocalypse basically happened on Twitter, which led to some reflection on the state and development of social media. I should, of course, write something up properly about this, but it’s made me understand that the difference between social media now and in 2006 is that the news we think requires immediate delivery to our followers is no longer personal, it’s political.

When Twitter started, it was one of a slew of services which aimed to decouple the “Status” field from instant messaging apps like AIM to a third party which could then provide a brief message about what you were doing to all your friends. My first tweet on December 3rd 2006 was “going for a dump”, and in a scatological way that summed up what Twitter was there for.

It became that, but on a much larger scale: a method of delivering “vital” information in a timely fashion to large groups of people. News breaks on Twitter now, even before it hits the (already fast) 24-hour news services. I doubt that’s a good thing, for reasons which would take a whole post to define.

Weeks which start with being off or sick often don’t turn into particularly productive times, but this one was a little different. We’re at the end point of a phase in the project I’ve been focused on at work, and the beginning of planning for the next phase. That means there’s some breathing room, although there’s still a lot of wrapping up to do (and there will be until the end of the year).

We also went to see Black Panther: Wakanda Forever on Friday (more on that below) and I booked my train ticket for the weeklong writing retreat that I’m going on in December. I’m really looking forward to this, not only because it’s a week of writing, but also because it’s a week with no internet. Yes, that’s right: there’s no Wi-Fi (thanks to the building being ridiculously old and so hard to get connected) and virtually no mobile signal (5G? Forget it). I can’t wait.

Things I’ve been reading and watching

Black Panther: Wakanda Forever was good. It wasn’t as good as the first film, but given the awful death of Chadwick Boseman, how could it be? The way it handled his passing and made it a part of the movie was brilliant: sensitive, emotional, everything you could have asked. I think I counted four or five times that had me sobbing, from the opening Marvel logo (which forsook the usual montage of many heroes to be all Chadwick) through to the credits which start with “For our friend, Chadwick Boseman”.

I have no idea why his death has affected me so much – I can’t remember an actor’s death making me feel like this – but I think it is something to do with the impact of the first film and the realisation of how a black movie made me feel. Or maybe how having a movie which attracts a young black audience makes me feel: as with the first film, the majority of the audience at our showing was young and black and very much not the kind of audience you see at most Marvel films. It’s huge, and feels important.

Meanwhile, Andor continues to be the best Star Wars ever made. It’s lazy to call it “Star Wars for grown-ups” but it’s a proper adult thriller set in the universe, and has some absolutely terrific acting in it. Even if you don’t like Star Wars, I would recommend it.

Things I’ve been writing

Not much, is the quick answer. Those two days spent mostly flat on my back meant that I couldn’t write so much – this is easily the longest piece that I’ve written since last weekend – and what writing I did was mostly “manually, in a notebook” which barely counts.


Thinking again about Stage Manager on iPad

The big reason I was eagerly awaiting Stage Manager wasn’t using it on the iPad’s screen: it was the promise of proper second-screen support. I have had a dream of using the iPad with a big monitor for a long time, and Stage Manager seemed to be the solution I have been waiting for.

Of course, we all know what happened next: Stage Manager was a buggy mess, and its external display support was the most buggy part of it. It worked, as long as you were prepared to have your applications crash every few minutes.

Sad to say, it’s not much better now. On the current developer release, external monitor support is back, but once again it’s buggy as hell. Stage Manager on the iPad’s main screen is working well enough to be usable, but forget about docking your device to a big display. Given the state of it, I suspect Apple is going to release it quite a bit later this year.

But here’s the thing: I’ve actually grown to like using Stage Manager on the iPad on its own. The “aha” moment was changing the display mode to “More space”, something that’s only possible on 12.9in iPads (and, I think, only on the M1 currently, although it’s intended to support older models too):

Changing Display Zoom to “More Space” makes a big different on iPad
Changing Display Zoom to “More Space” makes a big different on iPad

As the name suggests, this gives you more virtual space on screen by making the display work at its native resolution, without any scaling. Text on screen becomes smaller, but the flip side is that you have more space to work with.

And Stage Manager really likes having the extra space. Windows overlap less, making it easier to flip between open applications on stage. You can have bigger windows while also seeing more of the shelf at the side. It just feels more natural and less cramped than the default zoom.

All the criticisms of Stage Manager generally are still true (and if you want a good collection of them, it’s worth looking at Federico Viticci’s article). But “More Space” has made a big difference to me, and now I find that I have Stage Manager on almost all the time. Except, of course, if I want to plug the iPad into an external monitor. That, hopefully, will come.


Weeknote, 30th October 2022

I had a week off work. I intended to get a lot of writing done, but I slept a lot and generally lazed around. The best-laid plans, etc.

I did get some writing done on a ghost story which I started thinking about doing in time for Halloween and, judging the slow pace I've been working at correctly, named "A Christmas Ghost Story". I associate ghost stories with Christmas far more than Halloween, which, when I was a child, was something which Americans focused on but the British did not. We had fireworks to celebrate the day of burning Catholic plotters (something which never seemed to be in my Catholic mind) and Christmas. Pumpkins and trick-or-treating were weird American things I only learned about because I read a lot of Peanuts comics.

Christmas ghost stories were definitely a thing when I was a child, at least on TV. I'm not sure if that is true -- I hope it is. It's a connection with the Victorians (think of A Christmas Carol, an archetypal ghost story) and the ancient pagan midwinter festivals. Christmas is a time of miracles and strangeness, something which our consumer-focused version doesn't really encompass.

Musk bought Twitter. It's a strange world we live in when a wealthy buys up what he calls "the digital town square" and gets to decide all the laws of it, laws which he himself can, of course, ignore. Or perhaps that, too is just a sign that we haven't moved past feudal lordships, despite our brief foray into democracy and believing that things should be done for the mass of people. Read the comments that people direct at Musk some time: there is a real sense of the commoners taking their plea to the lord.

I haven't yet decided if I will close my account. I joined on 3rd December 2006 and was user number 39,093. That on its own makes me not want to close it, but I don't think I will carry on using it much. It hasn't felt like a healthy space for me to be for a long time. I'm more active on Mastodon, but that's partly because it feels like early Twitter -- so that might not be something I carry on with in the long term as the service evolves.

Meanwhile, I've also broken my MacBook Pro. It failed while updating to Ventura with an odd error, so I decided the time was right to wipe it and reinstall the OS from scratch. This isn't the simple process it used to be, involving a disk image and some time. Apple's reinstall process now involves downloading code, and watching a progress bar with no information to it… and, in my case, failing at the end with a baroque error about cryptographic signatures on the disk. There shouldn't be any: I just wiped it.

Of course, when you wipe a Mac, you don't really wipe it: it's still connected to your iCloud account. This does not feel like progress.

Thankfully I know some of the most technical Mac people in the world, so I'll get it fixed, but it feels like it's more difficult to do this on a Mac now than it is on Linux, which doesn't seem the right way around.

I'm thinking of rebooting my newsletter, mainly to distribute this. If I do, I'll use Buttondown as a service, partly because it allows you not to track subscribers, something I'm keen to avoid. I don't want feedback on what you're reading or even to know how many people are subscribed, particularly. Data may be power, but creatively it can also be a prison.

Writing

Speaking of Linux, I wrote something outlining how to get Scrivener working on Ubuntu. Like most things about running Windows software on open-source operating systems, it's mostly about ensuring you have the correct libraries and stuff installed for Wine to work with. But there are also some ways to make Scrivener look less like a Windows app and more like one native to Linux, which are worth doing if, like me, you find such a distraction when you're writing.

I also wrote something on John Gruber's defence of the iPad's current line up. I can't understand anyone thinking this confusing mess is deliberate.

Reading and watching

The main thing I have been watching this week is rugby, with both League and Union having world cups. And, of course, Andor, which has fallen into a very slow period. I have no idea what's going on.

One exciting thing on the reading front: the marvellous And Other Stories (the publisher, not the clothing brand) sent me a collection of Ann Quin books, which means I have five slim, pretty paperbacks to go through. Quin was active in the mid to late 1960s, a working class woman writer who pushed back against the prevailing gritty "kitchen sink" style in favour of something more interesting. Every now and then, there's a Quin revival, mostly amongst writers, but she's never had the recognition she deserves.


The iPad's confusing lineup

John Gruber on the iPad's current lineup:

A lot of people are now complaining that the iPad lineup is “confusing”. I disagree. There are specific aspects of the iPads in the lineup that are confusing, or at least disappointing. These aspects are mostly related to peripherals — which Pencils and which keyboard covers work with which iPads — and I wrote about these issues last week. But in terms of the fundamental question facing would-be buyers — “Which iPad should I get?” — I don’t think this lineup is confusing. I’d argue, in fact, that it’s less confusing, because the lineup is more complete.

John then spends 424 words explaining the differences in the lineup, not including the table he had already used to show the difference in pricing above this paragraph.

If you have to spend that long explaining the differences between the products on offer, there is definitely a problem with the coherence of the product line. This is doubly true hen your explanation has to go into the details of which device has a P3 colour gamut, which has an sRGB, which one has a "media engine", which one supports Bluetooth 5.2 vs 5.0 and more. And that's before you start explaining which peripherals are on offer and why exactly the first version of the Apple Pencil still exists four years after the second generation one was introduced.

If you need reminding, the iPad is a device where you just shouldn't have to worry about that shit. It's a classic product where a Steve Jobs four quadrant approach works perfectly: consumer, pro; small screen/large screen. Of course, there will be variances in storage space within those quadrants, but the core of the product doesn't need to be more complex.

I have no doubt Apple knows internally this is a mess of a lineup. However, there are many reasons a company ends up with a confusing product line, usually in a transition period for the device. Sometimes this is driven by parts supply: for example, if a key part in (say) the iPad Air is constrained and will be for some time, making a similar device without that part to siphon off customers is a smart move if you have the ability to do it.

Sometimes it means an entire product remains in the lineup because you have a bunch of them that you need to sell off. And manufacturers can get blind-sided: it's easy to see how the new iPad could have been meant to be a replacement for the 9th generation version but ended up not being able to be manufactured at the same price.

Either way, the iPad line up is a mess. There might be good reasons why it is, but attempting to claim its not is a bit daft.


How to run Scrivener on Linux

Scrivener happily running on Ubuntu, like a boss


Scrivener is easily the best application around for long-form writing. Yes, you can do it in Word or LibreOffice (or even, like Cory, just a text editor), but the combination of structured rich text, note-taking, outlining and character notes that Scrivener has will make your life easier. And, of course, you can compile your work into just the right format at the end.

There is no Linux version of Scrivener these days, probably because the number of people wanting to both run it and pay for it was insufficient to justify keeping it going. Them, as they say, are the breaks. There are several open-source alternatives, such as Manuskript and Bibisco, but when I've tried them I've always felt like they are a developer's idea of what writing is like, rather than a writer's. They feel like databases where you end up filling in fields, and that just doesn't work for me. That's not to say it won't work for you -- and you should try them and thank the developers for their work -- but it just doesn't work for me.

Another option which can work on Linux but isn't open source is Obsidian. Using some judicious plugins, such as Longform, you can get some of the structured writing capability that Scrivener has, but to make it work, you need to spend a decent amount of time creating templates and tweaking, and all of that is time not spent writing. Oh, and get to know Pandoc. You will so need to know Pandoc.

The good news is that you can get Scrivener working on Linux, and I will show you how to make it run and not look like a rat's ass. It takes a bit of work at the start but once done, it's done. Many pages around have part of the details of how to do this, but some don't quite work, and others have typos, so I thought I would pull everything together into a single article. Thank you, in particular, to Thomas Peltcher, who started me off on the right track.

A brief note about Fedora. These instructions should work with any Ubuntu-based distro. I've tested it on Ubuntu 22.04, 22.10, Mint 21.1, Pop!OS 22.04 and Zorin OS 16, and it all works. However, I have never been able to get this working on Fedora. Using the same steps, I can install Scrivener, but when I try to run it, it freezes at "Loading fonts". If anyone has a solution to this, feel free to either comment or email me, and I'll include it in this article.

Install Wine (7) and Winetricks

The first thing you will need to do is install Wine. If you're running Ubuntu 22.04, you will have an ancient version installed by default, and you probably want to update to Wine 7. However, Wine 7 can sometimes end up freezing, in the same way, trying to install on Fedora does so be prepared to roll-back if you find this.

Note: you don't have to install Wine 7 to make Scrivener work. It will work perfectly happily with the default available from Ubuntu 22.04, Ubuntu 22.10, or distros based on those versions. But it won't look as nice, and you may need to spend extra time in Wine tweaking it so it looks like a Windows 7 app and more like something close to native on Ubuntu. That's my setup at the top of the page. Looks pretty good, doesn't it?

If you are on Ubuntu 22.04, I have good news: all you need to do is go to the WineHQ page and follow the steps there using the Stable branch. however, if you are on 22.10 (as I am), you will need to choose the Development branch instead. The 22.10 version of Wine 7 hasn't been released, but it is in that branch. I am on the Development branch and have had no problems at all.

Next, install Winetricks through the software store or via the terminal (sudo apt install winetricks will do it). Winetricks is a neat little app which makes it much easier to download and install optional parts of Windows that apps require, such as dotnet.

Configuring Wine

First, you need to set the architecture correctly. No, I don't really know what that means either, but basically, open up a terminal and type this:

sudo dpkg --add-architecture i386

Followed by:

env WINEARCH=win64

Important! That's a double-dash before "add", not an em-dash. You will often find instructions on the web have that wrong, not because the authors are idiots, but because, annoyingly, WordPress often "helpfully" converts double dashes to em-dashes. I've even seen some pages where users have commented correcting this from the text, and then WordPress has converted their double dashes into an em-dash. Thanks, WordPress.

Next, you will want to install an appropriate version of dotnet and the core Windows fonts. You may already have the latter installed, but it's fine to do it again if you're unsure. In the terminal, type:

env WINEPREFIX=$HOME/.wine winetricks --force dotnet45 corefonts

Again, that's two dashes before "force". And again, WordPress often wants to convert it.

Finally - and this should be final - run the Scrivener installer. Sometimes it has been known to crap out if you double-click on it, so the best way is via the terminal. Navigate to the directory where the installer is (mine was in ~/Downloads, as I had just downloaded it) and run this:

wine Scrivener-installer.exe

That should be it, although some people have reported that it chokes when you try and enter your license code. If that's the case, the solution appears to be to install speechsdk, which you should be able to do via Winetricks. I haven't actually done it, but I didn't need to.

Does Wine look really tiny to you? Wine doesn't play well with fractional scaling, so if you have that turned on you have a couple of choices. First, you could turn it off. But you probably don't want to, so what you need to do is go to the terminal and type "winecfg". Go the graphics tab and crank the DPI up to the point where the sample text looks nice and readable to you - on my 1900x1200 laptop, with fractional scaling at 125%, I make it 244dpi and it looks OK. But you may wish to go smaller or larger.

Making it look like you actually want to use it

So now you have a working version of Scrivener, yay! However, if it's anything like mine, it looks like a sack of crap with blurry fonts, tiny menu items, and so on. Good news: all of this is fixable. The bad news, it takes a bit of boring and repetitive work.

First, ensure that Wine is set to use the light appearance theme: it looks much better. This should be correct out of the box, but just in case it isn't, go to the terminal, enter winecfg, and go to the Desktop Integration tab. Set the theme to Light -- if you have Scrivener open, you'll need to quit and restart to make it take effect.

When you open Scrivener, you might find things look a bit off. For example, when I installed everything from scratch every time I highlighted something in the Binder at the side it showed as black text with a black highlight -- not exactly readable. Another time it had buttons and menu items which didn't highlight at all, but worked perfectly.

This is because Scrivener has its own theming system which doesn't always play nice out of the box with Wine. The good news is it's easily fixable. The best way is to reset the Wine theme to the default, which makes it look like ropey old Windows 98. But don't worry: the next step will change that.

You could go through all the appearance options and set your own theme, but a quicker way is just to use a third party theme as your base and customise from there. There's a really good, simple white theme which I like in the Scrivener forums. This makes a great starting point for further customisation. Download it, change the extension from .zip to .scrtheme, and in Scrivener load it from File> Options > Manage button > Import themes. Select the downloaded theme, load it and you're good to go.

Next, let's deal with those blurry fonts. This is down to your menus using fonts in Windows, but which don't match the ones in Ubuntu, so you need to change them to something which works on both. Open Scrivener, and in the File menu, choose options. In the Appearance tab/General Interface, change the GUI Font to something which more cleanly matches your Ubuntu install - I chose Ubuntu Light.

That settles the menus, but the Binder at the side may still look too small. In the same options, go to Binder, select the Fonts tab, and pick something nicer. Again, I've gone for Ubuntu light.

You can go through the rest of the interface, too, if you want, changing the fonts on Corkboard, Index Cards, Outliner, and so on to something which works more nicely for you.

Once the interface looks decent, you will probably want to change the main editor, too -- unless you like really ropey Courier (hey, I'm not one to kink shame). This is done in the Editing tab. I've set mine to Optima because who doesn't love Optima? I've also bumped the paragraph spacing because I'm not a barbarian.

Things which don't work

You should now have a working installation of Scrivener, which doesn't look like trash. Almost everything will work, but there are a few things that don't, and you need to bear them in mind.

First of all, forget about importing a web page into notes directly. It will freeze Scrivener. Workaround this by saving any webpages you need as PDF or text and importing them.

Second, some good news: Scratchpad works! Yay! However, it only works if you invoke it via the menu, not via a keyboard shortcut. And as with the Windows version, if you have saved web pages into the Binder on Mac, they're unreadable and might crash your app. If you're working cross-platform, make sure to convert them to text.

And that's it! You should now have a working, good looking version of Scrivener. Now all you have to do is 50,000 words for NaNoWriMo and you'll be a writer.


Weeknote, 23 October 2022

This has been a pretty busy week at work because I HAVE A WEEK OFF THIS WEEK. I've promised myself that I'll spend a major chunk of it writing, as it's my writing group next week and I really do want to have something completed to share, even if it's only a bit of flash fiction. Obviously I've started something much more ambitious than that (see below).

Something happened in politics this week. Not sure you saw it. The only thing I can add is GENERAL ELECTION NOW.

And that's about all that's gone on this week, other than some vague discussions on what to do at Christmas (other than read ghost stories).

Writing

I've put other stuff to one side this week and started working on a ghost story for halloween. Except that I've called it A Christmas Ghost Story, as that's a MUCH more likely deadline. Sorry.

Reading and watching

I've finally dived into Becky Chambers' A Prayer for the Crown-Shy, after it's been sitting on the top of the pile of books to read for quite a while. I adored A Psalm for the Wild-Built, the previous story in the Monk and Robot series, for its gentleness and calmness. I'm already a quarter of the way through (these are short books) and it is of course lovely.

If you haven't watched it already I would recommend The Art of Japanese Life, which is available at the moment on iPlayer. James Fox's documentaries on art are always excellent. Also well worth a watch is We Are England: Trouble at Sea, which is a documentary on the struggle of a northern fishing community to get to the bottom of why thousands of crabs and lobster are washing up dead on their beach. Really well made stuff.


Keyboards! Apple being shit! Ducks! Or, as you might call it, links for today

Oh good. An attack on machine learning algorithms that secretly gives language models a point of view. No idea how that might be abused.

Chrome's "Incognito Mode" isn't. Even Google's engineer's know it, and privately suggest it gets renamed to something else. I don't use Chrome, and I don't recommend anyone else uses it.

DuckDuckGo has the first beta of their browser for Mac out. Seem interesting, especially the "Duck Player", which blocks YouTube ads which track you -- which, it turns out, is most YouTube ads. It preserves the ones which don't track you.

Firefox Relay, which lets you create one-off email addresses for signing up to services, now also lets you mask your phone number. US and Canada only for now, but this looks really useful.

An ultra-slim Keychron K3 you say? Why sir, you are spoiling us!

I stopped using Hey.com email because of two reasons: I really didn’t need another non-standard service; and DHH came across as a complete asshole, and I really don’t like giving money to assholes. He is, though, bang on the mark when he talks about how 32Signals are going to move away from the cloud and start hosting their own stuff. Cloud is great for some things — but the 30% take that the likes of Amazon will happily fleece you for is basically just you paying a large margin to someone else, and you probably don’t have to.

John Gruber gets this absolutely on the mark: the current iPad line up is a mess. There’s too many models in the line, you have weird anomalies like the new iPad having USB-C but using the old-style Pencil, the Pros still having the front-facing camera in the wrong place, and more. I am sure Apple has plans to make the line up more simple next year, but in the meantime, it’s just a mess.

I mean, we have a cost of living crisis, hospital waiting times at an all-time high, and schools literally collapsing. So obviously the Daily Fail thinks that the worst thing in the world is trans people and so runs six pieces in one issue about them. Did a trans person veto Dacre’s lordship or something?

Whoo-how, Apple is adding more ads to the App Store. Not content with taken 30% revenue from every single developer, it now wants devs to pay for placement – because let’s be honest, this is what it is.

This is an interesting account from Bono on the whole pushback against Apple for giving away their album. I never quite got it — it was a free album, you don’t have to listen to it.